The following albums have been recorded in Sunset Sound in whole or partially. (1) Yamaha SPX-90 IIĝigital Multi Effects Processor.(2) Urei 1176-LN Compressor Pre-Amp (LN stands for low noise).(1) Eventide H-3000se Ultra-harmonizer Unit.(1) Lexicon PCM-70 (programmable digital effects processor).(1) Yamaha Rev-5 (programmable studio reverb and digital effects processor).(1) AMS DMX-1580s Delay/Harmonizer Unit.(1) AMS RMX-16 Stereo Digital Reverberation System.JBL/TAD Augspurger-designed 3-way bi-amp Custom Arrays.API 550-A Equalizer Section (all Modules).40 inputs available w/ 8 Channel sidecar console.32 inputs / 24 Channel Monitor Section / 8 buss / 8 Echo returns.32 x 24 x 8 API-DeMedio-Sunset Sound Custom Console.The below equipment is the one currently available at Sunset Sound. Prince has recorded in Studio 3 primarily, but has also done sessions in both Studio 1 and 2. Prince choose to set residence at studio 3 a facility also used by Earth Wind & Fire, Stevie Nicks and Fleetwood Mac. While artists such as The Rolling Stones, Miles Davis, Sly & Family Stone or Sam Cooke would favor Studio 1, Led Zeppelin, Michael Jackson, Aretha Franklin, or Rick James would elect studio 2. Many successful and/or reference albums were recorded in Sunset Sound, from The Doors' Strange Days to Led Zeppelin’s IV and The Rolling Stones' Exile On Main Street. Prince made Studio 3 in Sunset Sound his primary location for recordings between 19, when he started using the newly built Paisley Park Studios in Chanhassen, Minnesota, although he had occasional recording sessions in Sunset Sound at least until 1991.
Its development from automotive repair garage to recording studio was achieved by Tutti Camarata (a former director of recording in Walt Disney Company) between 1958-1962. Sunset Sound is a three-studios facility based in Hollywood (6650 Sunset Boulevard, Hollywood, California 90028), which, coupled with Sound Factory since 1981, is a renown Californian complex where many famous artist recorded from the sixties to this day.
0 kommentar(er)
